Great Artists, Praying Hands, and Albrecht Durer

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keyHappiness is where we find it, but rarely where we seek it.

prayinghandsQGreat Artists, Praying Hands, and Albrecht Durer

Late in the fifteenth century, two young and zealous wood-carving apprentices in France confided in each other their craving to study painting. Such study would take money and both Hans and Albrecht had none. Their joint solution was to have one work and earn money while the other one studied. When the lucky one became rich and famous, he would work and aid the other one. They tossed a coin and Albrecht won. Albrecht quickly went to Venice to study painting while Hans worked as a blacksmith.

After many hard years, at last Albrecht returned home as an independent master. Now it was his turn to help Hans. However, when Albrecht looked at his friend, tears welled in his eyes. Only then did he discover the extent of his friend’s sacrifice. The years of heavy labor in the blacksmith shop had calloused and enlarged Hans’ sensitive hands. Hans could never be a painter. In humble gratitude to Hans for his years of sacrifice, the great artist, Albrecht Durer, painted a portrait of the work-worn hands that sacrificed so much so that he might develop his talent. He presented this painting of praying hands to his devoted friend. Today, this master piece is a symbol of love and sacrifice and is familiar to millions of people throughout the world.

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2 comments on “Great Artists, Praying Hands, and Albrecht Durer

  1. You guys are improper, and should not be so really hard around the author. This web-site looks to become dedicated to stating their own belief, which the majority of us have. I hate when people look at to talk poor about somebody simply because their opinion differs from others. Check out yourself before you are trying to talk about another person.

  2. With Leonardo da Vinci and Michelangelo , Raphael ‘s name is synonymous with the High Renaissance. However, he was younger than Michelangelo by 18 years and Leonardo by nearly 30. It cannot be said of him that he greatly advanced the state of painting as his two famous contemporaries did. Rather, his work was the culmination of all the developments of the High Renaissance.

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