Stress Management, Classical Music, and Pachelbel Canon

Dinner Topics for Friday

  keyoldTrust in the Lord with all thine heart; and lean not unto thine own understanding. ~Proverbs 3:5

Pachelbel Canon in D Major

From Wikipedia

musicnotesJohann Pachelbel (German pronunciation: [ˈjoːhɑn ˈpaxəlbɛl]; baptised September 1, 1653 – buried March 9, 1706)[1] was a German Baroque composer, organist and teacher, who brought the south German organ tradition to its peak. He composed a large body of sacred and secular music, and his contributions to the development of the chorale prelude and fugue have earned him a place among the most important composers of the middle Baroque era.[2]

Pachelbel’s music enjoyed enormous popularity during his lifetime; he had many pupils and his music became a model for the composers of south and central Germany. Today, Pachelbel is best known for the Canon in D, as well as the Chaconne in F minor, the Toccata in E minor for organ, and the Hexachordum Apollinis, a set of keyboard variations.[3]

Pachelbel’s music was influenced by southern German composers, such as Johann Jakob Froberger and Johann Kaspar Kerll, Italians such as Girolamo Frescobaldi and Alessandro Poglietti, French composers, and the composers of the Nuremberg tradition. He preferred a lucid, uncomplicated contrapuntal style that emphasized melodic and harmonic clarity. His music is less virtuosic and less adventurous harmonically than that of Dieterich Buxtehude, although, like Buxtehude, Pachelbel experimented with different ensembles and instrumental combinations in his chamber music and, most importantly, his vocal music, much of which features exceptionally rich instrumentation. Pachelbel explored many variation forms and associated techniques, which manifest themselves in various diverse pieces, from sacred concertos to harpsichord suites.

Posthumous influence

One of the last middle Baroque composers, Pachelbel did not have any considerable influence on most of the famous late Baroque composers, such as George Frideric Handel, Domenico Scarlatti or Georg Philipp Telemann. He did influence Johann Sebastian Bach indirectly; the young Johann Sebastian was tutored by his older brother Johann Christoph Bach, who studied with Pachelbel, but although J.S. Bach’s early chorales and chorale variations borrow from Pachelbel’s music, the style of northern German composers, such as Georg Böhm, Dieterich Buxtehude, and Johann Adam Reincken, played a more important role in the development of Bach’s talent.

Pachelbel was the last great composer of the Nuremberg tradition and the last important southern German composer. Pachelbel’s influence was mostly limited to his pupils, most notably Johann Christoph Bach, Johann Heinrich Buttstett, Andreas Nicolaus Vetter, and two of Pachelbel’s sons, Wilhelm Hieronymus and Charles Theodore. The latter became one of the first European composers to take up residence in the American colonies and so Pachelbel influenced, although indirectly and only to a certain degree, the American church music of the era. Composer, musicologist and writer Johann Gottfried Walther is probably the most famous of the composers influenced by Pachelbel – he is, in fact, referred to as the “second Pachelbel” in Mattheson‘s Grundlage einer Ehrenpforte.[20]

As the Baroque style went out of fashion during the 18th century, the majority of Baroque and pre-Baroque composers were virtually forgotten. Local organists in Nuremberg and Erfurt knew Pachelbel’s music and occasionally performed it, but the public and the majority of composers and performers did not pay much attention to Pachelbel and his contemporaries. In the first half of the 19th century, some organ works by Pachelbel were published and several musicologists started considering him an important composer, particularly Philipp Spitta, who was one of the first researchers to trace Pachelbel’s role in the development of Baroque keyboard music. Much of Pachelbel’s work was published in the early 20th century in the Denkmäler der Tonkunst in Österreich series, but it was not until the rise of interest in early Baroque music in the middle of the 20th century and the advent of historically-informed performance practice and associated research that Pachelbel’s works began to be studied extensively and again performed more frequently.

Popularity of the Canon in D

Pachelbel’s Canon in D major, a piece of chamber music scored for three violins and basso continuo and originally paired with a gigue in the same key, experienced a tremendous surge in popularity during the 1970s. This is believed to be due to a recording by Jean-François Paillard in 1970, which made it a universally recognized cultural item. Its visibility was greatly increased by its choice as the theme song for the popular film Ordinary People. Now one of the most recognized and famous baroque compositions, it has in recent years become extremely popular for use in weddings,[citation needed] rivalling that of Wagner‘s Bridal Chorus.

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Stress Management, Classical Music, and Debussy YouTube Music

Dinner Topics for Friday

keyoldBe still, and know that I am God. ~Psalms 46:10

 

 

debussyClaude-Achille Debussy (French pronunciation: [klod aʃil dəbysi])[1] (22 August 1862 – 25 March 1918) was a French composer. Along with Maurice Ravel, he was one of the most prominent figures working within the field of impressionist music, though he himself intensely disliked the term when applied to his compositions.[2] In France, he was made Chevalier of the Legion of Honour in 1903.[3] A crucial figure in the transition to the modern era in Western music, he remains one of the most famous and influential of all composers.

His music is noted for its sensory component and for not often forming around one key or pitch. Often Debussy’s work reflected the activities or turbulence in his own life. In French literary circles, the style of this period was known as symbolism, a movement that directly inspired Debussy both as a composer and as an active cultural participant.[4]

Continued

YouTube Video: Milton Friedman, Capitalism and Freedom

Dinner Topics for Tuesday

YouTube Video: Milton Freedman, Capitalism and Freedom

From Rush Limbaugh Radio

miltonfriedman2One sound bite is two minutes of Milton Friedman schooling Phil Donahue and his audience in greed and capitalism and virtue.

RUSH:  [Obama] was quoting Reverend Wright, and he said that’s for me, man, I love that.  White folks’ greed runs a world in need.  So let’s go to 1979, ancient times for many of you.  We may as well be going back to the Roman Coliseum for this.  Nineteen seventy nine, I was 28.  Ancient times for many of you.  Phil Donahue interviewing Milton Friedman, and they had this exchange.  And Donahue starts off wanting to know about greed and capitalism.  Here it is.  And listen to this.

DONAHUE:  When you see around the globe the maldistribution of wealth, the desperate plight of millions of people in underdeveloped countries, when you see so few haves and so many have-nots, when you see the greed and the concentration of power, did you ever have a moment of doubt about capitalism and whether greed’s a good idea to run on?

Greed Definition

FRIEDMAN:  Well, first of all, tell me, is there some society you know that doesn’t run on greed?  You think Russia doesn’t run on greed?  You think China doesn’t run on greed?  What is greed?  Of course none of us are greedy. It’s only the other fellow who’s greedy.

The world runs on individuals pursuing their separate interests.  The great achievements of civilization have not come from government bureaus.  Einstein didn’t construct his theory under order from a bureaucrat.  Henry Ford didn’t revolutionize the automobile industry that way.  In the only cases in which the masses have escaped from the kind of grinding poverty you’re talking about, the only cases in recorded history are where they have had capitalism and largely free trade.  If you want to know where the masses are worst off, it’s exactly in the kinds of societies that depart from that.

So that the record of history is absolutely crystal clear that there is no alternative way, so far discovered, of improving the lot of the ordinary people that can hold a candle to the productive activities that are unleashed by a free enterprise system.

DONAHUE:  But it seems to reward not virtue as much as ability to manipulate the system.

Virtue Definition

FRIEDMAN:  And what does reward virtue?  Do you think the communist commissar rewards virtue?  Do you think Hitler rewards virtue?  Do you think American presidents reward virtue?  Do they choose their appointees on the basis of the virtue of the people appointed or on the basis of their political clout?  Is it really true that political self-interest is nobler somehow than economic self-interest?  You know, I think you’re taking a lot of things for granted.  Just tell me where in the world you find these angels who are going to organize society for us.

DONAHUE:  Well —

FRIEDMAN:  I don’t even trust you to do that.

RUSH:  Milton Friedman back in 1979 schooling Phil Donahue, and everybody else who heard that on the notions of virtue and greed and just basically upsetting Phil’s applecart.  Phil wasn’t smart enough to know it was happening. He’s still running around lamenting the accident of birth. If he’d been 30 miles south he would have grown up in poverty.  Anyway, we wanted to play that for you and recognize Milton Friedman.

miltonfriedmanMilton Friedman:  “If you put the federal government in charge of the Sahara Desert, in five years there will be a shortage of sand.” 

 Milton Friedman:  “Underlying most arguments against the free market is a lack of belief in freedom itself.” 

Another Milton Friedman quote:  “Most of the energy of political work is devoted to correcting the effects of mismanagement of government.”  

Boy, isn’t that true? Pass another law.  Government comes along and creates a program.  The program is an absolute disaster.  Government says, “That’s gotta get fixed.”  Government says, “Okay, we’ll fix it.”  And it compounds itself, one error atop another. (Rush)

Another Milton Friedman quote:  “Nothing is so permanent as a temporary government program.”  

I’ll tell you, the guy was great.  He was a genius.  He lived into his late eighties.  He would have been a hundred years old this week. (Rush)

Dinner Talk

1. Who does Mr. Friedman say is greedy?

2. Do you think political self-interest is better than economic self-interest? Why or why not?

3. According to Mr. Friedman, which system fosters a stronger economy— management by government bureaucracies (socialism), or free enterprise? Why?

YouTube Music: Beethoven Overture Champions Liberty

Dinner Topics for Independence Day

Egmont Overture by Beethoven Champions Liberty

keyIn the music for Egmont, Beethoven expressed his own political concerns through the exaltation of the heroic sacrifice of a man condemned to death for having taken a valiant stand against oppression. The Overture later became an unofficial anthem of the 1956 Hungarian revolution.

Count Egmont

Count Egmont

Egmont, Op. 84, by Ludwig van Beethoven, is a set of incidental music pieces for the 1787 play of the same name by Johann Wolfgang von Goethe.[1] It consists of an overture followed by a sequence of nine pieces for soprano, male narrator and full symphony orchestra. (The male narrator is optional; he is not used in the play and does not appear in all recordings of the complete incidental music.) Beethoven wrote it between October 1809 and June 1810, and it was premiered on 15 June 1810.

The subject of the music and dramatic narrative is the life and heroism of a 16th-century Dutch nobleman, the Count of Egmont. It was composed during the period of the Napoleonic Wars, at a time when the French Empire had extended its domination over most of Europe. Beethoven had famously expressed his great outrage over Napoleon Bonaparte’s decision to crown himself Emperor in 1804, furiously scratching out his name in the dedication of the Eroica Symphony. In the music for Egmont, Beethoven expressed his own political concerns through the exaltation of the heroic sacrifice of a man condemned to death for having taken a valiant stand against oppression. The Overture later became an unofficial anthem of the 1956 Hungarian revolution.

Beethoven composed Klärchen’s songs, “Die Trommel gerühret” (“The drum is a-stirring”) and “Freudvoll und leidvoll” (“Joyful and woeful”), with the Austrian actress Antonie Adamberger specifically in mind. She would later repeatedly and enthusiastically recall her collaboration with him.[2]

The music was greeted with eulogistic praise, in particular by E.T.A. Hoffmann for its poetry, and Goethe himself declared that Beethoven had expressed his intentions with “a remarkable genius”.

The overture, powerful and expressive, is one of the last works of his middle period; it has become as famous a composition as the Coriolan Overture, and is in a similar style to the Fifth Symphony, which he had completed two years earlier.

History Facts vs. Reality Check: Changes in American Society since 911 Attack

History Facts vs. Reality Check:

Changes in American Society since 911 Attack

YouTube video:

Brittany Hughes Reality Check

This young lady filmed this on September 11, 2017.  When you listen to her just think back to that day September 11, 2001…16 years ago. This was filmed right after 9/11/17 and presents a reality check:  how have Americans changed in 16 years.

We Swore We Would Never Forget 911, But We Did

 

See YouTube video: In Trump Kim Summit Trump shows Kim Freedom, Capitalism Benefits in Peaceful Denuclearization of North Korea

See YouTube video:

In Trump Kim Summit Trump shows Kim Freedom, Capitalism Benefits in Peaceful Denuclearization of North Korea

This video shows the great potential of a free people, the American way of life. Don’t miss it!  Freedom is America’s greatest export. ~C.D.

 

 

The historic summit has taken place with North Korea and they have agreed to denuclearization. Something past presidents have secured. But is this time different? President Trump hopes so, playing a video for Kim showing him what the future of North Korea could look like.

According to Town Hall:

As part of his effort to get dictator Kim Jong Un to agree to denuclearization of the Korean Peninsula, President Trump showed him a video that presented all the possibilities for North Korea’s future if sanctions come off.

In addition to the benefits economic development and innovative technologies would bring to the Hermit Kingdom, Trump also emphasized what developing the country’s beaches could do for the nation.

“They have great beaches! You see that whenever they’re exploding the cannons into the ocean, right?” Trump said after playing the four-minute video for the press.

“So I said, ‘Boy, look at that beach. Wouldn’t that make a great condo behind’ – and I explained it,” the real estate mogul said.

This is still a very tense situation with a lot of unknowns. Only time will tell. But from everything we have learned, it is moving in the right direction.

Read more at TrumpTrain  News

YouTube Video, Christmas, and Charlie Brown

Dinner Topics for Tuesday

This comment was found at the site of this endearing Charlie Brown video:

keyMy wife teaches in a public elementary school and she told me it was amazing how many of the kids don’t even know the original Christmas story. You know, the shepherds and all. We are swiftly becoming a pagan nation. ~David Heesen (Thanks to the public schools~C.D.)

Linus explains: this is what Christmas is all about, Charlie Brown

In fact, atheists even protested against this Charlie Brown message in a church.  Let’s not be intimidated by bullies who try to keep us from being who we are. Christians have always been persecuted, and it’s not going to go away. Wear it like a badge of honor. Let us not be ashamed of the gospel of Jesus Christ.

We can take a lesson from Linus, who inspired Charlie Brown. Watch how all Charlie Brown’s friends had a change of heart and caught the Christmas Spirit.

 

YouTube Video: Disney Christmas Stories for Children

Dinner Topics for Tuesday

keyEnjoy a little history. This YouTube Video has stories for children, revived from 1933, with a traditional Christmas tree and Christmas songs, before Political Correctness took over both the wonderful Walt Disney legacy, and Christmas.

From Wikipedia, the free encyclopedia

DisneycartoonsWalter EliasWaltDisney (December 5, 1901 – December 15, 1966) was an American film producer, director, screenwriter, voice actor, animator, entrepreneur, entertainer, international icon,[3] and philanthropist, well known for his influence in the field of entertainment during the 20th century. Along with his brother Roy O. Disney, he was co-founder of Walt Disney Productions, which later became one of the best-known motion picture producers in the world. The corporation is now known as The Walt Disney Company and had an annual revenue of approximately US$36 billion in the 2010 financial year.[4]

Disney is particularly noted as a film producer and a popular showman, as well as an innovator in animation and theme park design. He and his staff created some of the world’s most well-known fictional characters including Mickey Mouse, for whom Disney himself provided the original voice. During his lifetime he received four honorary Academy Awards and won 22 Academy Awards from a total of 59 nominations, including a record four in one year,[5] giving him more awards and nominations than any other individual in history.[6] Disney also won seven Emmy Awards and gave his name to the Disneyland and Walt Disney World Resort theme parks in the U.S., as well as the international resorts Tokyo Disney Resort, Disneyland Paris, and Hong Kong Disneyland.

The year after his December 15, 1966 death from lung cancer in Burbank, California, construction began on Walt Disney World Resort in Florida. His brother Roy Disney inaugurated the Magic Kingdom on October 1, 1971.

Disney was born on December 5, 1901, at 2156 N. Tripp Avenue in Chicago’s Hermosa community area to Irish-Canadian father Elias Disney and Flora Call Disney, who was of German and English descent.[7][8] His great-grandfather, Arundel Elias Disney, had emigrated from Gowran, County Kilkenny, Ireland where he was born in 1801. Arundel Disney was a descendant of Robert d’Isigny, a Frenchman who had travelled to England with William the Conqueror in 1066.[9] With the d’Isigny name anglicised as “Disney”, the family settled in a village now known as Norton Disney, south of the city of Lincoln, in the county of Lincolnshire.

In 1878, Disney’s father Elias had moved from Huron County, Ontario, Canada to the United States at first seeking gold in California before finally settling down to farm with his parents near Ellis, Kansas, until 1884. Elias worked for the Union Pacific Railroad and married Flora Call on January 1, 1888, in Acron, Florida, just 40 miles north of where Walt Disney World would ultimately be developed. The family moved to Chicago, Illinois, in 1890,[10] hometown of his brother Robert[10] who helped Elias financially for most of his early life.[10] In 1906, when Walt was four, Elias and his family moved to a farm in Marceline, Missouri,[11] where his brother Roy had recently purchased farmland.[11] In Marceline, Disney developed his love for drawing[12] with one of the family’s neighbors, a retired doctor named “Doc” Sherwood, paying him to draw pictures of Sherwood’s horse, Rupert.[12] His interest in trains also developed in Marceline, a town that owed its existence to the Atchison, Topeka and Santa Fe Railway which ran through it. Walt would put his ear to the tracks in anticipation of the coming train[8] then try and spot his uncle, engineer Michael Martin, conducting the train.

Teenage years

In 1917, Elias acquired shares in the O-Zell jelly factory in Chicago and moved his family back to the city,[17] where in the fall Disney began his freshman year at McKinley High School and took night courses at the Chicago Art Institute.[18] He became the cartoonist for the school newspaper, drawing patriotic topics and focusing on World War I. Despite dropping out of high school at the age of sixteen to join the army, Disney was rejected for being underage.[19]

After his rejection by the army, Walt and a friend decided to join the Red Cross.[20] Soon after joining he was sent to France for a year, where he drove an ambulance, but only after the armistice was signed on November 11, 1918.[21]

Hoping to find work outside the Chicago O-Zell factory,[22] in 1919 Walt moved back to Kansas City to begin his artistic career.[23] After considering whether to become an actor or a newspaper artist, he decided on a career as a newspaper artist, drawing political caricatures or comic strips. But when nobody wanted to hire him as either an artist or even as an ambulance driver, his brother Roy, then working in a local bank, got Walt a temporary job through a bank colleague at the Pesmen-Rubin Art Studio[23] where he created advertisements for newspapers, magazines, and movie theaters.[24] At Pesmen-Rubin he met cartoonist Ubbe Iwerks[25] and when their time at the studio expired, they decided to start their own commercial company together.[26]

 

Hollywood

Disney and his brother Roy pooled their money and set up a cartoon studio in Hollywood[37] where they needed to find a distributor for Walt’s new Alice Comedies, which he had started making while in Kansas City[35] but never got to distribute. Disney sent an unfinished print to New York distributor Margaret Winkler, who promptly wrote back to him that she was keen on a distribution deal for more live-action/animated shorts based upon Alice’s Wonderland.[38]

Mickey Mouse

Main article: Mickey Mouse

After losing the rights to Oswald, Disney felt the need to develop a new character to replace him, which was based on a mouse he had adopted as a pet while working in his Laugh-O-Gram studio in Kansas City.[41] Ub Iwerks reworked the sketches made by Disney to make the character easier to animate although Mickey’s voice and personality were provided by Disney himself until 1947. In the words of one Disney employee, “Ub designed Mickey’s physical appearance, but Walt gave him his soul.”[41] Besides Oswald and Mickey, a similar mouse-character is seen in the Alice Comedies, which featured “Ike the Mouse”. Moreover, the first Flip the Frog cartoon called Fiddlesticks showed a Mickey Mouse look-alike playing fiddle. The initial films were animated by Iwerks with his name prominently featured on the title cards. Originally named “Mortimer”, the mouse was later re-christened “Mickey” by Lillian Disney who thought that the name Mortimer did not fit. Mortimer later became the name of Mickey’s rival for Minnie – taller than his renowned adversary and speaking with a Brooklyn accent.

walt DisneyThe first animated short to feature Mickey, Plane Crazy was a silent film like all of Disney’s previous works. After failing to find a distributor for the short and its follow-up, The Gallopin’ Gaucho, Disney created a Mickey cartoon with sound called Steamboat Willie. A businessman named Pat Powers provided Disney with both distribution and Cinephone, a sound-synchronization process. Steamboat Willie became an instant success,[42] and Plane Crazy, The Galloping Gaucho, and all future Mickey cartoons were released with soundtracks. After the release of Steamboat Willie, Disney successfully used sound in all of his subsequent cartoons, and Cinephone also became the new distributor for Disney’s early sound cartoons.[43] Mickey soon eclipsed Felix the Cat as the world’s most popular cartoon character[41] and by 1930, despite their having sound, cartoons featuring Felix had faded from the screen after failing to gain attention.[44] Mickey’s popularity would subsequently skyrocket in the early 1930s.[41]

Children

The Disneys’ first attempt at pregnancy ended in miscarriage. Lillian became pregnant again and gave birth to a daughter, Diane Marie Disney, on December 18, 1933.[60] Later, the Disneys adopted Sharon Mae Disney (December 31, 1936 – February 16, 1993).[61]

Diane married Ron Miller at the age of 20 and is known as Diane Disney Miller. The Millers established and own a winery called Silverado Vineyards in California.[62] Diane and Ron Miller have seven children: Christopher, Joanna, Tamara, Jennifer, Walter, Ronald and Patrick.[63] Years later, Diane went on to become the cofounder of The Walt Disney Family Museum, with the aid of her children.[60] The museum was created to preserve her father’s image and reach out to millions of Disney fans worldwide.[64] The museum displays a chronological view of Walt Disney’s life through personal artifacts, interactive kiosks and various animations.[64]

Golden age of animation

Following the success of Snow White, for which Disney received one full-size, and seven miniature Oscar statuettes, he was able to build a new campus for the Walt Disney Studios in Burbank, which opened for business on December 24, 1939. Snow White was not only the peak of Disney’s success, but also ushered in a period that would later be known as the Golden Age of Animation for the studio.[73][74] Feature animation staff, having just completed Pinocchio, continued work on Fantasia and Bambi as well as the early production stages of Alice in Wonderland, Peter Pan and Wind in the Willows while the shorts staff carried on working on the Mickey Mouse, Donald Duck, Goofy, and Pluto cartoon series, ending the Silly Symphonies at this time.[clarification needed More info needed on end of the Silly Symphonies to make a new and separate sentence.] Animator Fred Moore had redesigned Mickey Mouse in the late 1930s after Donald Duck overtook him in popularity among theater audiences.[75]

Pinocchio and Fantasia followed Snow White and the Seven Dwarfs into the movie theaters in 1940, but both proved financial disappointments. The inexpensive Dumbo was then planned as an income generator, but during production most of the animation staff went on strike, permanently straining relations between Disney and his artists.

Disney was a founding member of the anti-communist group Motion Picture Alliance for the Preservation of American Ideals.

Other honors

Walt Disney was the inaugural recipient of a star on the Anaheim walk of stars awarded in recognition of his significant contribution to the city of Anaheim and specifically Disneyland, which is now the Disneyland Resort. The star is located at the pedestrian entrance to the Disneyland Resort on Harbor Boulevard. Disney has two stars on the Hollywood Walk of Fame, one for motion pictures and the other for his television work.

Walt Disney received the Congressional Gold Medal on May 24, 1968 (P.L. 90-316, 82 Stat. 130–131) and the Légion d’Honneur awarded by France in 1935.[120] In 1935, Walt received a special medal from the League of Nations for creation of Mickey Mouse, held to be Mickey Mouse award.[121] He also received the Presidential Medal of Freedom on September 14, 1964.[122] On December 6, 2006, California Governor Arnold Schwarzenegger and First Lady Maria Shriver inducted Walt Disney into the California Hall of Fame located at The California Museum for History, Women, and the Arts.

A minor planet, 4017 Disneya, discovered in 1980 by Soviet astronomer Lyu

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YouTube Video, Acoustic Guitar, and Rodrigo

Dinner Topics for Friday

While we treasure appropriate cultural diversities, our goal is to be united in the culture, customs, and traditions of the gospel of Jesus Christ in every respect. This is the culture to which we aspire. ~Quentin L. Cook

Concierto de Aranjuez

Fantasia for gentilhombre

 

keyRodrigo, blind since age three, was a pianist. He did not play the guitar, yet he still managed to capture the spirit of the guitar in Spain.

From Wikipedia

Joaquín Rodrigo Vidre, 1st Marquis of the Gardens of Aranjuez (November 22, 1901 – July 6, 1999), commonly known as Joaquín Rodrigo, was a composer of classical music and a virtuoso pianist. Despite being nearly blind from an early age, he achieved great success. Rodrigo’s music counts among some of the most popular of the 20th century, particularly his Concierto de Aranjuez, considered one of the pinnacles of the Spanish music and guitar concerto repertoire.
Life
He was born in Sagunto, Valencia, and almost completely lost his sight at the age of three after contracting diphtheria. He began to study solfège, piano and violin at the age of eight; harmony and composition from the age of sixteen. Although distinguished by having raised the Spanish guitar to dignity as a universal concert instrument and best known for his guitar music, he never mastered the instrument himself. He wrote his compositions in braille, which was transcribed for publication.
Rodrigo studied music under Francisco Antich in Valencia and under Paul Dukas at the École Normale de Musique in Paris. After briefly returning to Spain, he went to Paris again to study musicology, first under Maurice Emmanuel and then under André Pirro. His first published compositions[1] date from 1940. In 1943 he received Spain’s National Prize for Orchestra for Cinco piezas infantiles (“Five Children’s Pieces”), based on his earlier composition of the same piece for two pianos, premiered by Ricardo Viñes. From 1947 Rodrigo was a professor of music history, holding the Manuel de Falla Chair of Music in the Faculty of Philosophy and Letters, at Complutense University of Madrid.
His most famous work, Concierto de Aranjuez, was composed in 1939 in Paris, and in later life he and his wife declared that it was written as a response to the miscarriage of their first child.[2] It is a concerto for guitar and orchestra. The central adagio movement is one of the most recognizable in 20th century classical music, featuring the interplay of guitar with English horn. This movement was later adapted by the conductor Gil Evans for Miles Davis’ 1960 album Sketches of Spain. The Concerto was adapted by the composer himself for Harp and Orchestra and dedicated to Nicanor Zabaleta.
The success of this concerto led to commissions from a number of prominent soloists, including the flautist James Galway and the cellist Julian Lloyd Webber for whom Rodrigo composed his Concierto como un divertimento and Concierto serenata for Harp and Orchestra dedicated to Nicanor Zabaleta. In 1954 Rodrigo composed Fantasía para un gentilhombre at the request of Andrés Segovia. His Concierto Andaluz, for four guitars and orchestra, was commissioned by Celedonio Romero for himself and his three sons.
None of Rodrigo’s works, however, achieved the popular and critical success of the Concierto de Aranjuez and the Fantasia para un gentilhombre. These two works are very often paired in recordings.
He was awarded Spain’s highest award for composition, the Premio Nacional de Música, in 1983. On 30 December 1991, Rodrigo was raised into the Spanish nobility by King Juan Carlos I with the hereditary title of Marqués de los Jardines de Aranjuez[3][4] (English: Marquis of the Gardens of Aranjuez). He received the prestigious Prince of Asturias Award—Spain’s highest civilian honor—in 1996. He was named Commander of the Order of Arts and Letters by the French government in 1998.
He married Victoria Kamhi, a Turkish-born pianist whom he had met in Paris, on 19 January 1933, in Valencia. Their daughter, Cecilia, was born 27 January 1941. Rodrigo died in 1999 in Madrid at the age of 97, and was succeeded as Marqués de los Jardines de Aranjuez by his daughter. Joaquín Rodrigo and his wife Victoria are buried at the cemetery at Aranjuez.

Royal Palace of Aranjuez
Inspiration
The Concierto de Aranjuez was inspired by the gardens at Palacio Real de Aranjuez, the spring resort palace and gardens built by Philip II in the last half of the 16th century and rebuilt in the middle of the 18th century by Ferdinand VI. The work attempts to transport the listener to another place and time through the evocation of the sounds of nature.
According to the composer, the first movement is “animated by a rhythmic spirit and vigour without either of the two themes… interrupting its relentless pace”; the second movement “represents a dialogue between guitar and solo instruments (cor anglais, bassoon, oboe, horn etc.)”; and the last movement “recalls a courtly dance in which the combination of double and triple time maintains a taut tempo right to the closing bar.” He described the concerto itself as capturing “the fragrance of magnolias, the singing of birds, and the gushing of fountains” in the gardens of Aranjuez.
Rodrigo and his wife Victoria stayed silent for many years about the inspiration for the second movement, and thus the popular belief grew that it was inspired by the bombing of Guernica in 1937. In her autobiography, Victoria eventually declared that it was both an evocation of the happy days of their honeymoon and a response to Rodrigo’s devastation at the miscarriage of their first pregnancy. It was composed in 1939 in Paris.[1]
Rodrigo dedicated the Concierto de Aranjuez to Regino Sainz de la Maza.[2]
Rodrigo, blind since age three, was a pianist.[3] He did not play the guitar, yet he still managed to capture the spirit of the guitar in Spain.

John Williams: Rodrigo Concierto de Aranjuez